I recently spent three
weeks travelling on my own through Turkey. I was on my back from
staying with my partner's family in Finland where we celebrated
Christmas together. Money was in short supply as usual, and Europe is
an expensive place to travel. Winter was unavoidable, but probably
not so bad in Turkey as it would be in more northern countries.
While I was waiting for a
bus to take me to Cappadocia, I ended up chatting to a couple of
Australians. In the course of the conversation they told me about how
they were planning to visit Gallipoli later on in their trip. I told
them I was not planning on going – “ANZAC day is not such an
important day in NZ” - and they reacted with surprise. Many
Australians consider Gallipoli to be a place of pilgrimage, and
assume that New Zealanders share the same kind of proud patriotism
associated with the Anzac heritage. I come from a leftist political
background, so I don't share this sort of patriotism. At the same
time I am fascinated by the history of the twentieth century and the
importance of the First World War. This slightly awkward conversation
led me to ponder the question of exactly what ANZAC day meant to me.
I never did go to
Gallipoli, but I did read a lot of Turkish newspapers and tried to
learn what I could about the history and people of Turkey. Anyone who
engages in this sort of project cannot avoid the figure of Kemal
Ataturk. In every town square his mighty statue stands. Sometimes he
is dressed in a suit with his arm outstretched, a solemn statesman.
Sometimes he is in military uniform sitting on a horse, a brave
soldier. In all of the statues he appears victorious and strong, the
rock upon which the nation of Turkey is built. Anyone who looks into
Turkish history a little more deeply will discover that not everybody
shares in this apparently worshipful attitude towards Ataturk. The
Armenians and the Kurds are two outstanding examples of this. Yet
there is no doubting his importance, and those statues captured an
undeniable strength and power.
When I came back to New
Zealand, we shifted from Auckland to Dunedin. Although Auckland has a
long and interesting history, the evidence of this history – in
buildings, monuments and statues – is not nearly so striking as it
is here in Dunedin. Both cities have changed drastically over the
past 100 years, but Auckland has grown far more than Dunedin and
destroyed a lot more of its old buildings. This difference led me to
pay more attention to the numerous memorial monuments dotted around
Dunedin. Many of these do not involve statues, but if they do the
statue is an anonymous soldier, rather than a particular individual.
Unlike the Ataturk statues, these monuments express a sombre
remembrance rather than a mighty victory. They are focused on a
collective rather than an individual, those who died rather than
those who survived.
Alongside this
contemplation of monuments, I read about the history of World War
One. With the centenary of the beginning of the war approaching in
July, it is a popular topic of interest in the Guardian
online newspaper, which I often read. Historians and writers from a
variety of backgrounds have written a number of interesting articles
about the First World War. Below The Line of these articles hundreds
of readers have added in their views. The debates about the meaning
of the war are passionate and heated. David Cameron has pledged 50
million pounds to centenary related activities. Many people argue
that we should commemorate the end of the war in 1918 rather than its
beginning. Others insist that it should be a solemn remembrance,
which should not be tainted by any form of modern day political point
scoring.
Although the “big picture” questions about the
history and politics of the war are fascinating – was the war
inevitable, was it about imperialism etc etc, I found myself drawn
more towards studying the memoirs of individuals who had concretely
lived through the experiences of World War One themselves. These
memoirs come in two forms: diaries and letters written during the
war, and books which were written after the war had finished.
Although the diaries and letters are fascinating, I found the books
to be more interesting. There is a greater depth of reflection and
thinking about the meaning of the war and the ethical issues
surrounding it. They are written by individuals who come from
radically distinct backgrounds. They were all New Zealanders who were
born around the turn of the century, but they each have a very
different way of thinking about their war experiences.
These
are the writers and the books I am interested in, and intend to
discuss in this blog.
- Ormond E Burton The Silent Division (1935)
- John A Lee Civilian into Soldier (1937)
- Robin Hyde Passport to Hell (1936)
- Archibald Baxter We Shall Not Cease (1939)
- Alexander Aitken Gallipoli to the Somme (1963)
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